Nicole_Crews_01by Nicole Crews

Mother: So, are you single handedly bringing back the Rachel?

Me: Rachel who worked at the coffee shop or Rachel the buyer at Bloomingdales?

Mother: Does it matter? It’s still Greek Girl Blond.

Me: Says the woman who went from Cruella DeVille to Tina Louise in one swift dye job.

Mother: Answer the question.

Me: Well if it’s Bloomingdale’s buyer then yes, why not? It’s worked for Greek girl Jen Aniston for all these years.

Mother: Angelina Jolie might beg to differ.

Me: Your hair may be lighter, but your roots are still dark.

When I think of summer I hear the collective scree of screen door slams at sundown when it’s time to come in for supper. I see freckles alighting on the noses of my fair-haired friends during sunlit games of kick ball. I smell coconut tan elixir and iodine-spiked baby oil, freshly cut lemons and the burnt-flesh scent of Sun-In lined up in formation on towel strewn, neatly clipped grass. Summer in Carolina was a blonde’s paradise.

Mother: Wait a minute. We didn’t have a screen door. You’re making that up.

Me: No, mother, we didn’t have a screen door but all of Bill Sheppard’s apartments did and that’s where I played much of the time.

Mother: Well, I’ve never said the word :supper” in my life. Who is this fictional Southern clan you claim to derive from anyway?

Me: May I please tell the story? These are my recollections, not yours.

Mother: You’ve always had a photogenic memory.

Growing up Greekish in a small Southern town meant three things. One, I never experienced sunburn. Two, people often thought I was mixed race. And three, I wanted to be blonde like most of my Scots-Irish friends. So to remedy this I invented an alter ego named Cindy Deaver. She had strawberry-blonde hair, freckles, gangly limbs like my friend Janna Myers, wore braids like my friend Sarah Sheppard’s cool big sister Beth and, most admirable of all, she wasn’t afraid of Tweetsie Railroad.

Mother: Oh my god. Enough with the Tweetsie Railroad trauma. You’d think we’d had you bound and gagged and scalped.

Me: Mother. Indians attacked us. On a train. It was freaking terrifying.

Mother: They were fit, tan college boys in buckskin pants and loincloths. I quite enjoyed it.

Me: Well that’s just fine and dandy for your mid-life crisis but for a 5-year-old it was pretty scary.

Mother: I thought you were enjoying it. You made up your own narrative.

Me: I had to do something to keep my mind off impending slaughter.

Mother: Remember you renamed the lawman Sheriff McCocky. Your dad thought that was hilarious.

Me: And the old lady knitting on the porch was Granny Hogurt. Do you think I got that from yogurt? Because it’s aged and cultured?

Mother: You weren’t that clever.

Me: Did you know that I know one of those former Indians? My friend the writer. Michael Parker. He said when he was at Appalachian the characters from Tweetsie Railroad would party with the characters from the Land of Oz after work — in costume. I believe he mentioned dropping acid though I doubt I would have needed it if I had seen that coupling.

Mother: So, you think if you’d been strawberry blonde with freckles it would have protected you.

Me: It worked for Ginger on ‘Gilligan’s Island’ and she survived it all wearing an evening gown and heels.

Mother: Suddenly, so many things make sense now.

Suffice it to say, Cindy Deaver got me through the tough times. She was the inner Betty to my outer Veronica. She had the genetic grit of potato-famine survival and the will of Gaelic winds. Her fridge was filled with white bread, bologna, Duke’s Mayonnaise, sweet tea and pie — not the olive oil, feta cheese, homemade brown bread, yogurt and lamb that made my friends turn up their noses.

It wasn’t until I discovered Wonder Woman that I thought brunettes could even be the good guys. It was a black hat-white hat world then and in many ways it still is, but we’ve come a long way baby.

Mother: At least the highlights are better.

Me: Yes, at least we have that.

Join the First Amendment Society, a membership that goes directly to funding TCB‘s newsroom.

We believe that reporting can save the world.

The TCB First Amendment Society recognizes the vital role of a free, unfettered press with a bundling of local experiences designed to build community, and unique engagements with our newsroom that will help you understand, and shape, local journalism’s critical role in uplifting the people in our cities.

All revenue goes directly into the newsroom as reporters’ salaries and freelance commissions.

⚡ Join The Society ⚡